Broadcast Loudness
Tired of fielding complaints from viewers about loudness-level inconsistencies between programs and channels of television services?
While obvious to the viewer, these loudness differences have proven difficult to measure with conventional methods and equipment. Take a first step toward solving loudness variations with accurate and consistent measurements. Dolby offers both hardware and software solutions for the measurement of broadcast program loudness, including the Dolby LM100 Broadcast Loudness Meter hardware product, and the Dolby Media Meter, a new software loudness meter that works on both Mac and PC platforms in a variety forms. Additionally, the Dolby® DP600 Program Optimizer hardware product provides the world's first intelligent audio measurement and automated loudness normalization system for file-based broadcast and postproduction environments.
Dolby LM100 Broadcast Loudness Meter
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The Emmy Award-winning Dolby LM100 Broadcast Loudness Meter 1-U high rack-mount unit easily measures the subjective loudness of program dialogue and presents results in a numerical format that eliminates the variations in results among multiple operators interpreting traditional VU or PPM indicators (neither of which are designed to measure loudness).
Applications for the LM100 include network centers, satellite facilities, cable head-end facilities, turnaround uplinks, program ingest facilities, quality control, and postproduction facilities.
Dolby LM100 Broadcast Loudness Meter Features
- Dialogue Intelligence™ is a revolutionary algorithm that analyzes the input signal and only measures during the presence of speech.
- Newly available upgrade that adds the ITU-R BS. 1770-1 algorithm, in addition to the Leq(A) measurement algorithm.
- Multiple Inputs accept two-channel analog and digital, multichannel Dolby Digital and Dolby E, and, optionally, in-the-clear analog CATV and off-air RF signals (LM100-NTSC version).
- Software Remote Control allows extended logging and enhanced analysis via PCs.
- Two configurations: LM100-LTC can log to external timecode; LM100-NTSC additionally measures NTSC CATV and off-air signals.
More Dolby LM100 information:
Watch and listen to a short Flash introduction to the LM100 Broadcast Loudness Meter for cable, broadcast, postproduction, and DVD authoring applications.
Dolby LM100 spec sheet
Dolby LM100 user's manual 
TV Loudness: Time for a New Approach? 
Intelligent Program Loudness Measurement and Control: What Satisfies Listeners?
Dolby Media Meter
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Dolby Media Meter is a software tool for accurately measuring and logging program loudness for broadcast, packaged media, VOD, and game media. It employs Dialogue Intelligence, coupled with the ITU-R BS. 1770-1 algorithm, as used in the DP600 Program Optimizer, to accurately measure loudness as viewers subjectively experience it. Applications for Dolby Media Meter include audio postproduction for broadcast, broadcast quality control, and DVD and Blu-ray Disc™ mastering.
Dolby Media Meter software is available for Mac and Windows platforms. It is a great solution whether it is used as a stand-alone application or as a plug-in performing either real-time or file-based measurement on audio workstations. It can also be used in conjunction with other Dolby Media Producer products for mastering programs for packaged media.
Dolby Media Meter supports measurement of Dolby Digital, Dolby Digital Plus, Dolby TrueHD, Dolby E, and PCM audio formats. All versions of Dolby Media Meter can analyze with or without using the Dialogue Intelligence feature that automatically detects dialogue in a track and then performs the loudness measurement. Additionally, the software can produce and save log files.
If your facility is looking for a software loudness measurement application, Dolby Media Meter is the cost-effective choice.
Dolby Media Meter Software Installations
Mac/Windows:
- Stand-alone application for file-based measurement
- Digidesign RTAS plug-in for real-time measurement
- Digidesign AudioSuite plug-in for file-base measurement
Mac OS®:
Minnetonka AudioTools AWE plug-in for file-based measurement
More Dolby Media Meter information:
Dolby Media Meter spec sheet
Dolby DP600 Program Optimizer
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For file-based broadcast and postproduction environments, the award-winning Dolby DP600 Program Optimizer ensures loudness consistency from program to program, between programs and commercials, or between the channels within your television service. Postproduction, terrestrial networks, affiliates, and cable, satellite, and IPTV operators can equally benefit from the DP600, which intelligently analyzes and automatically normalizes the loudness of programs in standard broadcast file formats. The DP600 automates previously lengthy quality-control processes, and performs them in faster-than-real-time. It intelligently and automatically sets, validates and corrects the dialnorm metadata parameter without the need for decoding and re-encoding—ensuring a properly encoded bitstream.
The DP600 expands upon Dialogue Intelligence, as used in the Dolby LM100 Broadcast Loudness Meter and Dolby Media Meter, coupled with the ITU-R BS. 1770-1 algorithm, to accurately measure loudness as viewers subjectively experience it. It works on many of the most common broadcast media file and audio formats in use today, including Dolby Digital, Dolby Digital Plus, Dolby E, MPEG-1 LII, and LPCM audio formats in any channel configuration. Complete information on the Dolby DP600 Program Optimizer can be found on our Broadcast File-Based Solutions pages, and in the Dolby DP600 spec sheet.
Dolby Volume and Dolby Digital: An Overall Loudness Solution
Dolby® Volume performs measurement, analysis, and control of audio loudness levels in consumer equipment according to a psychoacoustic model based on the characteristics of human hearing. Dolby Volume complements Dolby Digital (AC-3), the standard audio system for DTV broadcasting in North America, in providing an overall solution for controlling loudness over a wide range of consumer media formats.
Dolby Digital addresses loudness control through the digital broadcast chain by the use of audio metadata, and specifically the dialnorm parameter. Dolby Volume addresses loudness variations in program sources other than Dolby Digital including analogue television, other audio formats used in some digital television systems, gaming, and additional consumer entertainment media.
The best way for broadcasters to deliver the highest quality audio to their viewers is still through the use of metadata. Accurate setting of the dialnorm parameter affects not only the reproduced level, but also ensures that other parts of the Dolby Digital system, such as dynamic range control, operate effectively.
There is no "magic bullet" for solving all the loudness problems in the home listening environment, and as the number of choices in home entertainment increases, the issue becomes more complex. The capabilities built into the Dolby Digital system address the issue within the digital television environment. Hundreds of channels of programming are now on-air over terrestrial and cable transmission systems that have successfully implemented dialnorm and in the process have reduced viewer complaints dramatically. With Dolby Volume, we now also have an effective solution for the many other sources of entertainment that are available to the consumer today.
For more information on Dolby Volume and Dolby Digital, see our Dolby Volume White Paper
.
Dolby Digital or Dolby E Bitstreams for Loudness Control
Once the loudness level of the program's dialogue is measured for surround programming destined for final DTV transmission in Dolby Digital or for distribution in Dolby E, the next step is to set the dialogue normalization (dialnorm) metadata parameter, which indicates the average loudness level of the TV program. Dialnorm is set during program production or in broadcasting facilities to optimize the audio decoding and reproduction at the viewer's location, and it solves viewer complaints about loudness-level inconsistencies between programs or channels of DTV services.
For more information on Dolby Digital and Dolby E metadata, see our Tech Resource Library.>
For reviews on Dolby technologies and products for broadcast loudness, see:
Audio Complaints End With Dolby
TV Technology, October 2005
Working Toward Consistency in Program Loudness
Broadcast Engineering, January 2004
Solving TV Loudness Problems: Can you 'accurately' hear the difference
Communications Technology, February 2004
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