New Possibilities and New Efficiencies for Audio Postproduction
Dolby Atmos adds the flexibility of dynamic audio objects to the traditional channel-based workflows used to create movie soundtracks. These audio objects allow content creators to control discrete sound elements in the theatre, no matter the speaker configuration. Objects can be static or can move, and they are controlled by metadata.
A Simplified Approach to Cinema Sound
Dolby Atmos also brings new efficiencies to the audio postproduction process. It allows sound mixers to efficiently capture the director’s vision and then monitor or automatically generate 5.1 and 7.1 versions in real time.
Distribution is simplified too. With Dolby Atmos, all the artistic intent is embedded in a file within the DCP, which can then be faithfully played back in a broad range of theatre configurations.
Technology Highlights
Integrates easily into existing audio postproduction workflows
Supports up to 128 simultaneous and lossless audio streams
Allows for up to 64 discrete speaker feeds
Expands the creative palette with overhead speakers
Adds side surrounds closer to the screen for improved transitions
Works across a wide array of speaker configurations and auditorium shapes and sizes
Simplifies distribution with a single DCP inventory