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I Think We're Alone Now
I Think We're Alone Now

I Think We're Alone Now

  • R
  • 1h 33min
  • 21 enero 2018
  • Director: Reed Morano
  • Starring: Peter Dinklage, Elle Fanning, Paul Giamatti
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A reclusive man builds himself a utopia in the wake of the apocalypse.

In Reed Morano’s new film I Think We’re Alone Now, the apocalypse proves a blessing in disguise for one lucky recluse — until a second survivor arrives bringing the threat of companionship.

As we meet Del (Peter Dinklage) and follow him through his solitary world, the first 15 minutes of the film unfolds with no dialogue, only sound effects and music. "You’re not told where you are or what’s happening — it unfolds in a nonverbal way," explains director and cinematographer Reed Morano, Emmy-winning director of The Handmaid’s Tale. "You’re seeing the world the way [Del] sees it. So you have to pay attention to understand what may or may not have happened and to fill in the blanks as to what kind of world he’s in."

"The opening of the film was what really hooked us, and made us realize that though Reed is known for her amazing cinematography, she also shows with this film that she understands how to use sound as a creative storytelling tool, to build a complete world for her characters,” said Dolby Institute director Glenn Kiser.

Sound is important for every film, but for independent, lower budget films, sound is an amazing way to elevate the feeling and the scope of your film and to create a bigger palette than you might have had the money to afford.

MADELEINE GAVIN, FILM EDITOR, I THINK WE'RE ALONE NOW